Tap-Root

 

Main Street Rag's Editor's Select Poetry Series

                    ISBN 1-59948-046-8

To Purchase Tap-Root

 

 

Pedestal Magazine Review of Tap-Root

 

Home Up

 

(audio) Back Through the Storm Door

I left the South broken, a busted wing

and a crooked eye. Still, I wake mornings

with the taste of honeysuckle on my tongue.

 

The phone rings; voices weary with traveling;

wires weighed down with crows and thick heat.

The South, calling me to christen the born or bury

the dead— Lord, I’m still addicted to its touch:

 

He doesn’t have long. If you’re

going to come, it better be soon.

 

In bed hours later, my mind still

taloned to the phone’s bad news.

 

Weed, codeine, scotch. I’ve ingested enough

fog and brain-ash to black out the moon.

But the crucible of the past is relentless,

grinding behind eyelids. Memories spark

wild along the nerves’ telegraph. The lens

focuses backwards and the mind grays decades.

 

I dream my past a fragmented play, spliced

together with rawhide ties and silk thread.

It grows claws and jumps the stage: a beast

my hands don’t know how to tame.

 

There is no balm for the past’s dull ache.

When the blue jay rolls up his song,

the whole damn world spins down on me,

falling back through the door,

I’m broken again.

 

 

 

 

(audio) Tinder

 When the music rising

arcs the sunset into disbelief,

it’s time to sweat away

what kills us in the day hours.

 

At wood’s edge,

the candlelit shack and

its jackbeat pulse—

its black-rhythm heart—

its pale-veined wood.

 

Through the door glides

a dress, lily-struck bright

and flowing. We touch hands

and the petals opens in a spin.

 

By midnight we have covered

and recovered each other’s

steps with grace. The light by

which we dance: candle’s breath

lapping at our heels.

 

Our other selves, the daylight people,

in this place are nothing more than

            dry kindling heaped

            on a funeral pyre—  (burn sweetly)

            a crippling shame

            of darkened skin— (burns fiercely).

 

Armored with smiles

hothouse tears lace our cheek

as we dance the nightly  ritual,

sacrifice of flesh stained

in a world that consumes us.

 

At least,

this immolation is honorable,

saints and demons

have perished this way: frenzied,

spent, ablaze.

 

  (audio) The Blackstone Murders

 “Your eaves, attic,

even the chimney;

everything’s infested.

Happens in old houses.

Bird shit. It’s like

strong acid to fresh

paint and primer.

We can’t start painting

‘til the pigeons are gone.

For a little extra, we’ll

get rid of them for ya.”

 

For three days

we tried to ignored

the scent of almond.

The pale, tortured rain

that shrieked and fluttered

in circles to the ground.

 

Wood, brick, sidewalks,

everything molted.

The trees sweated

sticky-brown, gaudy  

and reddish. We

wore galoshes

to the mailbox.

 

I asked around,

learned other ways:

You can relocate

the nests. Get rid

of the eggs.

Block the holes.

Lots of things could

have been done.

 

One morning,

taking out the trash,

I found our cat—

stiff, wide-grimaced,

feathers in his teeth.

 

Armed with a shovel

and gloves. I collected

 

beaks, skeletons,

feathers, cat fur,

chips of dried blood.

 

The day they came

to begin sanding,

I fired the painters.

 

A month later,

when the pigeons

returned, I put the

house up for sale.